sound art and noise since 2007.

inspired by:

intrapersonal and interpersonal communication.
social cognition and sensory perception processes.

content created through:

misappropriation of tools, devices and circuits.
initiation and exploitation of feedback systems.
misuse of non-sound producing circuits as sound or sound-control sources.
 capturing of sound events and field recording.
re-contextualization of pre-recorded sounds into abstract, concrete collages and auditory events.

further activities:

generative visual art.
glitch art.
systems art.


recordings and printed matter via lead lozenges.